HENRY GIROUX
SEPTEMBER 15, 2026
But how can anyone tell the truth about Fascism, unless he is willing to speak out against capitalism, which brings it forth? — Bertolt Brecht, Writing the Truth: Five Difficulties (1935).
In his magnificent Age of Extremes, the late historian Eric Hobsbawm warned that one of the defining characteristics of the late twentieth century was that men and women increasingly lived in a “sort of permanent present lacking an organic relation to the public past of the times they live in.” Such historical amnesia carries a terrible price. When the past disappears, we lose not only the language necessary to recognize the dangers it has bequeathed to the present but also the capacity to name those dangers when they return in altered forms. Historical amnesia thus becomes a crisis of language: when we lose the words that connect the present to the past, we also lose the political vocabulary necessary to grasp what is unfolding before us. A crisis can awaken historical consciousness, expose the forces that produced it, and become a rallying point for resistance. But when crisis hardens into catastrophe, and the language for naming its causes is emptied of historical meaning, the political imagination begins to collapse. What could once be challenged comes to appear inevitable; what demanded resistance is absorbed into the rhythms of everyday life. Catastrophe then becomes more than an event. It becomes a pedagogy of powerlessness, teaching people to live with the intolerable, surrender their belief that the future can be otherwise, and mistake political defeat for historical fate. At that point, normalization becomes one of authoritarianism’s most powerful weapons: hope is drained of its political force precisely when resistance becomes most necessary.
There are moments when the language used to describe a political crisis becomes part of the crisis itself. We are living through one of them. The recent attempt in Jacobin by Carolin Amlinger and Oliver Nachtwey to theorize Trumpism under the rubric of “democratic fascism” is symptomatic of a wider intellectual failure: the compulsion to soften the language of fascism precisely when fascism needs to be named. The problem extends well beyond one article. Trumpism has been described as populism, illiberal democracy, authoritarian populism, competitive authoritarianism, democratic backsliding, and now democratic fascism. Such phrases may register elements of the present crisis, but they can also function as euphemisms that domesticate a political formation whose defining features are increasingly difficult to deny. When language is emptied of its most disturbing implications, it underplays the very dangers it claims to name. In the worst case, it turns critique into a discourse of normalization.
Paul Street has rightly attacked this rhetorical evasion. He describes “competitive authoritarianism,” a term increasingly invoked to characterize the United States under Trump, as a bloodless academic formulation that drains Trumpism of its ideological and political content: racism, xenophobia, militant patriarchy, ultranationalism, political eliminationism, cultism, violence, anti-intellectualism, and the destruction of constitutional restraints. His point is crucial. When a government attacks universities and the press, turns immigration enforcement into a massively funded coercive apparatus, treats political opponents as internal enemies, weakens due process, builds a sprawling machinery of detention and disappearance, normalizes state violence, and organizes political life around vengeance and racial purification, the issue can no longer be reduced to whether electoral competition remains fair. The language of procedural erosion becomes an alibi for refusing to name the political project taking shape before us.
